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Authors: Duane Swierczynski

Point and Shoot

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SPECTACULAR PRAISE FOR DUANE SWIERCZYNSKI AND THE CHARLIE HARDIE SERIES

‘The premise may be absurd, but it’s good enough to propel the breathless action scenes that make Swierczynski’s cinematic novels so much fun to read – on the couch or on the run.’

New York Times

‘A hip, dead smart novel, an entertaining start to what promises to be an addictive action trilogy’

The Australian

‘Harks back to those days when the situations were dire but the delivery was light, in the best possible way. A terrific read’

Courier Mail

‘Charlie’s internal voice is fun to follow and the action sequences are killer. I could easily see these books as a major summer blockbuster. The book goes from action to action, rarely stopping to catch a breath, and I stayed up late one night turning the pages to the end. If non-stop, cool action sequences with fun characters are your thing, you need to read some Swierczynski stories.’

Wired.com

‘A high octane, cinematic delight that uses film techniques of fast pace and quick cuts and highly visual scenes to rivet the reader to their chair. I loved it’

Joe R. Lansdale

‘The compelling premise pulls all our paranoid strings, and Swierczynski, like a mad scientist twirling dials, ratchets the tension ever tighter … Stay tuned for part three of what may be the most unusual thriller series in a long, long time.’

Booklist

‘Duane Swierczynski is a much-needed breath of fresh air in the book world … This guy is a great storyteller.’

Michael Connelly

‘More exciting than whatever you’re reading right now.’

Ed Brubaker

‘The tale packs enough indestructible villains to satisfy a
Die Hard
fan, and each chapter ends on a cliffhanger … Written in deadpan sentences and funny as can be, this first installment of a projected trilogy left me greedy for more.’

Bloomberg

‘A furiously paced tale that cries out to be filmed … such breathless enthusiasm and good humour that it is easy to settle back and devour the book in a single go. Great fun.’

Canberra Times

‘Duane Swierczynski puts the rest of the crime-writing world on notice. So learn to spell the last name. He’s going to be around for a while.’

Laura Lippman

‘Oh, what style!’

Kirkus Reviews

‘Duane Swierczynski has ideas so brilliant and brutal that one day the rest of us will have to tool up and kill him.’

Warren Ellis

‘I guarantee you won’t want to put it down until its dénouement … Infectious and highly recommended.’

Milo’s Rambles

‘Cracks along like many a reckless driver along Mulholland Drive itself’

Books and Writers

‘A mile-a-minute crime thriller – fearless, funny and utterly accessible – fit to leave you breathless by its last, explosive moments.’

The Speculative Scotsman

‘Swierczynski has an uncommon gift for the banal lunacy of criminal dialogue, [and] a delightfully devious eye for character.’

Chicago Tribune

‘Duane Swierczynski is one of the best thriller writers in America, and probably my favorite.’

James Frey

‘Swierczynski seems to get such a kick out of writing about eccentric crooks, it’s almost criminal.’

January Magazine

‘An audacious, propulsive thrill ride that kidnapped me on page one and didn’t look back.’

Brian Azzarello

‘This book could not be more perfect.’

Simon Le Bon

‘Duane Swierczynski leads an insurgency of new crime writers specializing in fast-paced crime rife with sharp dialogue, caustic humor and over-the-top violence.’

Spinetingler Magazine

‘Brilliant … one hell of a rollercoaster read. Mr Swierczynski writes like Elmore Leonard on adrenaline and speed.’

New York Journal of Books

‘Swierczynski’s style is muscular and very readable, pounding the rhythms of hard-boiled prose like he’s working a heavy bag.’

The American Culture

POINT & SHOOT

A Charlie Hardie thriller

Duane Swierczynski

www.mulhollandbooks.co.uk

First published in Great Britain in 2013 by Mulholland Books

An imprint of Hodder & Stoughton

An Hachette UK company

Copyright © Duane Swierczynski 2013

The right of Duane Swierczynski to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

All characters in this publication are fictitious and any resemblance to real persons, living or dead is purely coincidental.

A CIP catalogue record for this title is available from the British Library

Paperback ISBN 978 1 444 70760 1

eBook ISBN 978 1 444 70761 8

Hodder & Stoughton Ltd

338 Euston Road

London NW1 3BH

www.hodder.co.uk

Also by Duane Swierczynski

The Charlie Hardie Series

Fun & Games

Hell & Gone

 

The Level 26 Series (with Anthony E. Zuiker)

Level 26: Dark Origins

Dark Prophecy

Dark Revelations

 

Secret Dead Men

The Wheelman

The Blonde

Severance Package

Expiration Date

Table of Contents

Spectacular Praise for Duane Swierczynski and the Charlie Hardie Series

Title Page

Copyright

Also by Duane Swierczynski

Dedication

Epigraph

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Interlude with the Best Serial Killers Ever

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Thanks and Praise: The Final Chapter

About the Author

Read on for an extract from Fun & Games

For David J. Schow
,
straight shooter

Tu proverai sì come sa di sale

lo pane altrui, e come è duro calle

lo scendere e ’l salir per l’altrui scale

Paradisio

Canto XVII, lines 58-60

Dante

 

And if you still can’t see the light

God’s gonna buy you a satellite

The Hooters

Get up
.

Grab your gun
.

Where is

Oh God, where’s your gun
?

1

This isn’t going to have a happy ending
.

—Morgan Freeman,
Se7en

Near Brokenland Parkway, Columbia, Maryland—Seven Months Ago

A
TWENTY-THREE-YEAR-OLD HUNGOVER
intern with a broken heart saved the day.

The intern’s name was Warren Arbona, and he was in a stuffy warehouse along with five other interns scanning endless pieces of paper and turning them into PDFs that nobody would ever,
ever
fucking read. The whole operation was strictly cover-your-ass. The interns’ bosses wanted to be able to tell their government liaisons that, yes, every page of the flood of declassified documents they released had been carefully read and scanned by an experienced member of their legal team.

“Experienced” = interns who’d been on the job for at least two months.

The new president had made a big deal about declassifying everything, the shining light of freedom blasting through the deceptions of the previous administration. A democracy requires accountability, he said, and accountability requires transparency. Which sounded awesome.

But before the PDFs could be uploaded, the president’s intelligence advisers insisted that no sensitive secrets harmful to the security of the United States would be leaked to the general public. This still was the real world.

So a white-shoe law firm specializing in government intelligence was retained to painstakingly review every line on every scrap of paper.

Nobody in the firm wanted to deal with that bullshit, so they put the interns on it.

And Warren Arbona, the intern in question, wouldn’t have noticed a thing if it hadn’t been for his cunt ex-girlfriend. He couldn’t help it. The name just jumped out at him.

He stopped the scan and looked at the paper again. Were his eyes playing tricks on him?

Nope. There it was.

Charlie Hardie.

No, it wasn’t Christy’s dad. Her dad was named Bruce or some such shit. Balding. Big asshole. Deviated septum and beady eyes. But this Charlie guy was an uncle, maybe? Some other relative? Warren had no idea.

And really, who the fuck cared. Christy didn’t matter anymore; he’d do best to put her out of his head and finish up with this scanning so he could go home and get good and drunk again.

They were all working inside the abandoned warehouse set of a canceled television show,
Baltimore Homicide
. The rent was absurdly cheap, and the set already had the delightful bonus of real desks and working electrical outlets, thanks to a subplot featuring a fake daily newspaper office.

So all the law firm had to do was arrange for the reams of paper—nearly three trucks’ worth—to be backed into the building, plug in a bunch of laptops and scanners, and then set the interns loose. See you in September, motherfuckers.

The working conditions were less than ideal. While an industrial AC unit blasted 60,000 BTUs of arctic air into the fake office via ringed funnels, the warehouse itself had diddly-squat in the way of climate management. So every time you left to drag in another set of files, you baked and sweated in the stifling summer heat. And then when you returned, your sweat was flash-frozen on your body. No wonder everybody was sick.

Warren had been fighting a cold since May, when he first started scanning the documents. He believed that if he polluted his body with enough tequila, the cold virus would give up and abandon ship. So far, it hadn’t worked.

But the tequila also helped him forget about Christy Hardie.

Almost.

Now the name popped up, and Warren couldn’t help but be curious. He started to read the document, which was a deposition.

Seems Charlie Hardie was an ex–police consultant turned drunk house sitter who was later accused of snuffing a junkie actress named Lane Madden.

Warren kind of wished someone had snuffed Christy after she confessed that she’d been blowing his best friend for, oh,
the entire first year of law school
.

Anyway, Warren remembered the Lane Madden story from a bunch of years ago. Apparently she’d been raped and killed by this house sitter guy who used to be a cop and kind of lost his mind. But the rest of the deposition was kind of boring, so Warren stopped reading and fed the pages into the scanner. Yes, they were all supposed to eyeball each page—even the partners weren’t foolish enough to tell the interns to actually read them. But Warren and his colleagues dispensed with the
eyeballing
crap somewhere in late May. If fingers touched a page, it was considered read. Osmosis, they decided.

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